Portrait de chardin biography

Birth Year :
Death Year :
Country : France

Jean-Baptiste Simeon Chardin was born in Paris. He was the son of a carpenter, and the environment of craftsmen and humble middle-class people into which he was born did much to determine his life and art. Similarly, his study of seventeenth-century Flemish and Dutch genre paintings was far more important to his artistic development than the academic training he received from Pierre Jacques Cazes, Nicolas Coypel, and Jean Baptiste Vanloo. After having attracted attention at an exhibition Chardin became a member of the Royal Academy in Thereafter his work received the appreciation it deserved and the favor of the king, who granted him an apartment in the Louvre and a pension.

From until , Chardin painted scenes of middle-class life to which he brought a special comprehension, and in which children play an important role. He then devoted himself principally to still life and finally, between and , he drew portraits in pastel that are among the finest of their kind. Chardin was first of all a craftsman, but he was enough a man of his time to have absorbed the subtle tonality and delicate texture of French painting of the era

Jean Chardin ()

 

Still Lifes and Genre Paintings

Chardin married in , and began to receive commissions from rich patrons. As he became more successful, he decided to paint figures. He did not choose grand and historical subjects, but instead rather like his simple still-life subjects, depicted ordinary people, usually in domestic roles. These "genre" scenes became very popular with the viewers at the Paris Salon and Chardin soon had a rich international clientele. Less wealthy clients bought engravings of his work. In this way he reached an extremely wide public and became recognized as one of the best genre painters of the age. Following the death of his wife in , he married a widow in In the s he returned to painting still-lifes, both kitchen objects and also game subjects. Among his best-known still life pictures are: The Silver Goblet, (Louvre), The Silver Tureen (c, Metropolitian Museum of Art, New York); The Meat Day Meal (c, Louvre); A Lean Diet with Cooking Utensils (, Louvre); Pipes and Drinking Pitcher (, Louvre); Still-Life with Jar of Olives (, Staatliche Museum, Berlin) and Still-Life with Dead Pheasant and Hunting Bag (, Staa

Jean-Siméon Chardin

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Patrick AULNAS

Autoportraits        

Autoportrait aux besicles ()
Pastel sur papier gris-bleu 46 × 38 cm
Musée du Louvre, Paris

               

Autoportrait à la visière ()
Pastel sur papier bleu, 46 × 38 cm
Musée du Louvre, Paris

 

 Biographie

 

Jean Siméon Chardin est né en dans un milieu d’artisans. Il fut l’élève du peintre de tableaux historiques Pierre-Jacques Cazes (), de Noël Nicolas Coypel () et de Carle Van Loo (). Sa vie se déroule exclusivement à Paris et est entièrement consacrée à la peinture.

En , Chardin est admis à l’Académie de Saint-Luc avec le titre de maître. Quatre ans plus tard, il expose deux natures mortes, La Raie et Le Buffet, qui sont remarquées par des académiciens, notam

Portrait de Jean Baptiste Siméon Chardin, peintre ().

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La Tour, Maurice-Quentin de

INV , Recto

Département des Arts graphiques

Numéro d’inventaire

INV , Recto

Anciens numéros d'inventaire :

NIII

Référence de l'inventaire manuscrit :

vol, p

description

Dénomination / Titre

Portrait de Jean Baptiste Siméon Chardin, peintre ().

Description / Décor

Commentaire :

Geneviève Monnier, Inventaire des Collections Publiques Françaises, Pastels des XVIIe et XVIIIe siècles, Musée du Louvre, , n°
Neil Jeffares donne ce pastel à Maurice-Quentin de La Tour, portrait de Jean-Siméon Chardin (), peintre (Dictionary of pastellists before , Londres, , p. ).
Albert Besnard et Georges Wildenstein font mention en d'un portrait de Chardin présenté à l'exposition archéologique de Chartres du 10 mai au 10 juin (no ) comme appartenant à la collection Justin Courtois à Paris (, p. , no 60). Sont aussi signalées une étude à la vente A., du 3 novembre (sans numéro), et une copie à la vente Egmont Massé à Strasbourg, le 15 février , lot 94 (ibid., p. , no 61). Nous ne sommes pas sûr que la préparation de la collection Marcille gravée par Jules

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