At first, the works of Japanese artist Masami Yamamoto look like a conceptual kind of art. The pieces of clothing are lying on the floor and carrying a hidden message that is up to the viewer to figure out. Only when you approach closer, you realize that they&#;re not actual clothes but ceramic sculptures. However, the message is still there to be uncovered.
Yamamoto specializes in realistic ceramic pieces that mimic hats, lingerie, napkins, and sweaters, among other pieces of clothes. The subjects of her works and the material she uses are not selected randomly. Quite the opposite, in fact.
She chooses ceramic because she believes the material &#;match very well our human existence through its strong presence and brittleness.&#; Clothes, on the other hand, serve as a way to &#;memorize the spirit of the owner and his traces.&#;
&#;By using the plasticity of clay, I try to reproduce the softness of clothes. Through the firing process, the clay is hardened and keeps the image of the object. It becomes a memory medium,&#; Yamamoto explains on her website.
Yamamoto is currently based in Kanazawa City, Japan, where she has her studio. She exhibited her works all over Japan and r
Noto Peninsula Earthquake Reconstruction Charity Exhibition 「co-」/ Egen Gallery / Tokyo
Natsu Nakajima BUTOH performance / ISHIGURO Building / curated by Suisei-Art, Kanazawa
Art Collaboration KYOTO / Gallery OUT of PLACE booth, Kyoto International Conference Center, Kyoto
Our Hearts Beat / Suisei-Art, Kanazawa
CADAN showcase 02 -Summertime Blues' / CADAN YURAKUCYO, Tokyo
Please Come Yesterday / Curation by Suisei-Art, Kanazawa
Premonition of Beauty －∞ eight directions－/ Takashimaya / Tokyo, Kyoto, Osaka, Nagoya
MATERIAL×ART / Ishikawa Prefectural Traditional Products and Crafts Museum, Kanazawa
ART OSAKA / Hotel Granvia OSAKA
３３３１ART FAIR / ３３３１Arts Chiyoda, Tokyo
the art fair ＋plus-ultra / Spiral, Tokyo
SHIBUYA STYLE vol.１０/ SEIBU Shibuya Gallery, Tokyo
Wear the Art LUMINE Yurakucho 5th Anniversary Exhibition / LUMINE Yurakucho, Tokyo
WE WANT TO SEE Japan－Belgium International Art Exhibition / 21st Century Museum of Contemporary Art Kanazawa People's Gallery B
Nous -sewing and living- / 21st Century Museum of Contemporary Art Kanazawa
Art Fair ART OSAKA / Galler
スーパーファミコン用ソフト『アルディライトフット』で初ディレクターを務める。
その後、英語版を逆輸入した『天誅 忍凱旋』や、コンストラクションモードを活用したUGCディスク『天誅 忍百選』、さらに正統続編となる『天誅 弐』を手掛ける。
制作プロデューサーとして、『デカボイス』『爆封スラッシュ！キズナ嵐』（第8回文化庁メディア芸術祭審査員推薦作品）を制作。
合格した多彩な才能を持つクリエイターをマネジメントしながら、エグゼクティブプロデューサーとしてイノベーティブなゲームコンテンツを多数制作。
『勇者のくせになまいきだ。』
『勇者のくせになまいきだor2』
『勇者のくせになまいきだ:3D』
『無限回廊』（第12回文化庁メディア芸術祭審査員推薦作品）
『無限回廊 光と影の箱』（第14回文化庁メディア芸術祭優秀賞）
『MyStylist』
『ゴミ箱 -GOMIBAKO-』
『銃声とダイヤモンド』
『万トンのバラバラ』（第14回文化庁メディア芸術祭審査員推薦作品）
『TOKYO JUNGLE』
『Beat Sketch!』
『箱！OPEN ME』（第16回文化庁メディア芸術祭審査員推薦作品）
『rain』（第17回文化庁メディア芸術祭審査員推薦作品）
優れた外部デベロッパーやゲーム業界を支える著名クリエイターと協業しながら、様々なゲームコンテンツを制作。
『みんなのＧＯＬＦ６』
『SOUL SACRIFICE』
『SOUL SACRIFICE DELTA』
『フリーダムウォーズ』
『俺の屍を越えてゆけ２』
『Destiny of Spirits』
『勇者のくせにこなまいきだ。』
『Bloodborne』
『The Tomorrow Children』
『V!勇者のくせになまいきだR』
また、武蔵野美術大学での講演や、ユニティ・テ
GALLERY HAYASHI + ART BRIDGE is pleased to present Everyday Life glows faintly, a solo exhibition by Masami Yamamoto.
Two years ago in spring, I had to stay at home with my small child because I could not go out due to the self-restraint imposed by the state of emergency declaration. It was as if our connection to the outside world had been severed.
This work, “Everyday Life glows faintly” was modeled after my family’s laundry, which is the worn, washed and folded clothes of my family. Household chores related to food, clothing, and shelter are fundamental human activities to sustain life. Facing the routine of daily housework gives rhythm and comfort to our lives, and sometimes even beauty. At the same time, it was painful to continue to engage in this invisible labor, whether asleep or awake, as if one’s connection to society had been severed because of the Covid pandemic. However, I suddenly realized that the feelings that arise in the face of such domestic labor had been at the centre of life (for many women) even before the Pandemic and the self-restraint that followed.
Our small, individual lives are easily swallowed up by the stormy waves of narratives created
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