Dosso dossi biography channel

Dosso Dossi (Italian. Dosso Dossi, strictly ital. Giovanni di Niccolò de Luteri, CA. , Mantua — , Ferrara) was an Italian painter and engraver.

He studied with K. Costa and the workshop of Giorgione, was formed under the influence of Venetian masters. Worked with Bellini, Titian, Romanino. C — official painter of the Ferrarese court. Almost all life spent in the service of the Dukes of este, Alfonso I, Ercole II, where he studied not only painting, but performed diplomatic missions. In , with his brother visited Rome and met with .Rafael. Then working on the altar for the cathedrals at Modena and Ferrara. In ies manifests himself as master of the landscape. One of the representatives of the school of Ferrara. Illustrated Ariosto left his portrait is mentioned in his poem "raging Roland".

Paintings "Archangel Michael", a Picture gallery, Dresden; "Saint George", Art gallery,Dresden; "Citea", CA. , Galleria Borghese, Rome; "Landscape with figures of saints", the Pushkin Museum, Moscow; "Witchcraft", Galleria Pitti, Florence.

Dosso Dossi (Giovanni de Lutero)

Dosso Dossi, born Giovanni de Lutero in Italy around , was a prominent painter of the Renaissance period, active primarily in the early 16th century. He is known for his imaginative and often fantastical compositions, which reflect a blend of classical themes and a unique personal style. Dossi's work is characterized by vibrant colors and a keen attention to detail, contributing to the development of Venetian painting. He served as a court painter for the Este family in Ferrara, where he created several notable works, including mythological and allegorical scenes. His influence can be seen in the works of later artists who embraced his innovative approach to color and composition. Dosso Dossi passed away in , leaving behind a legacy that continues to be studied and appreciated in the context of Renaissance art.

Dosso Dossi

Dosso Dossi was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian.

From to his death he was court artist to the Este Dukes of Ferrara and of Modena, whose small court valued its reputation as an artistic centre. He often worked with his younger brother Battista Dossi, who had worked under Raphael. He painted many mythological subjects and allegories with a rather dream-like atmosphere, and often striking disharmonies in colour. His portraits also often show rather unusual poses or expressions for works originating in a court.

Dossi was born in San Giovanni del Dosso, a village in the province of Mantua. His early training and life are not well documented; his father, originally of Trento, was a bursar (spenditore or fattore) for the Dukes of Ferrara. He may have had training locally with Lorenzo Costa or in Mantua, where he is known to have been in By , he would begin three decades of service for dukes Alfonso I and Ercole II d'Este, becoming principal court artist. Dosso worked frequently with his brother Battista Dossi, who had trained in the

Dosso Dossi

A leader of the Ferrara School of painting from the Renaissance, Dossi is well known for his enigmatic allegorical style. Born Giovanni di Niccoló de Luteri in Tramuschio di Mirandola. Dossi’s father worked as a land agent, or bursar for the Este family, under their court in Ferrara; they would later become Dossi’s patrons. It is said that he trained early on with Lorenzo Costa ( – ), also of the School of Ferrara painters. Though part of Costa’s influence was also important to the Bolognese school of painting.

Finding a long-standing patronage under the cultured Este family of Ferrara, including the courts of Duke Alfonso d’Este ( – ) and his son, Duke Ercole II d’Este ( – ), Dossi was one of their leading Ferrarese painters. This was among some of the period’s greatest artists, including Raphael ( – ), Giovanni Bellini ( – ) and Titian ( – ). In fact, Dossi’s piece, Aeneas in the Elysian Fields, was part of the Duke’s Camerino d’Alabstro, a canvas piece which also includes works from Titian and Bellini. Dossi also worked alongside artists such as Benevenuto Tisi, called Il Garofalo ( – ). He often times collaborated with his brother, Battista Dossi ( – ), who had


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